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Trolls: The journey around the world seems to have been sewn from thread to needle, from aesthetics to action. Sometimes it works for the film, but others have something more than that.

Warden: Walt Dorn and David Smith: Trolls: World tour – continuation of the film Trolle 2016. It is one of the first films available for simultaneous digital home and cinema release as part of the Covid 19 pandemic – for distribution via Amazon, Vudu and on-demand.

As the film explains, all music in the Troll universe comes from six magical strings, each corresponding to a particular genre: funk, pop, rock, techno, country and classical. The opening scene shows the techno trolls with a party soon to be interrupted by Queen Barb, a new character, and the rock troll, played by Rachel Bloom, who has come to steal her strings.

The audience is then introduced once again to the main characters of the first film – Queen Poppy and Branch – played by Anne Kendrick and Justin Timberlake, who spend an ordinary day in their forest before Barb’s message arrives. The duo set out to warn the other trolls of Barb’s conspiracy. Along the way they are joined by Biggie – played by James Corden – another returning character who accidentally falls asleep in a stolen balloon.

As the title suggests, this mission takes our heroes into the colourful world of trolls, far beyond Bergenthown and the wilderness of the previous film. What on paper is a simple story is confused with the addition of subtitles – Branch tries to confess his feelings for Poppy, and Barb sends bounty hunters for the heroes. Meanwhile Cooper, the four-legged troll from the first film, played by Ron Fanch, tries to find other trolls like him. This subgroup is independent of what Poppy and Branch do.

Although it is a relief that the film doesn’t spend much time reworking characters, shots or jokes from the previous film, what an adventurous boyfriend should be entangled in extra elements in the last film. There are moments when the viewer pauses and speaks: Oh, okay. I think it’s happening. The end result is a few scenes that are not shared anywhere, too little time is spent on the character’s different places and moments, which is experienced as unusual.

On the other hand, some moments are so absurd that they are just as amazing as the scene in which the protagonists attack the Smooth Jazz Troll, the absolutely sour travel sequence with swirling flowers and beach fantasies.

Just like the plot, the soundtrack is a bit inflated, with some songs that are definitely there. All covers sound good of course, but it can be a bit frustrating when a movie that already has a lot to do stops to do another pop-pop.

The film also takes its legend too seriously, which is a pity, because this legend will unfold very soon. For example, it takes a long time before the film builds strings as the source of all the music – that’s why the protagonists have to stop Barb. He then introduces trolls that specialise in the genres represented by strings, but also jokes in which disco dies, which implies that strings are not really necessary for the existence of any form of music. This prevents most of the film from wondering whether the different trolls will lose their thread or not.

But the aesthetics of the film are surprisingly attractive. The whole world looked like a giant blanket made by the kindergarten class. The visual design of the different trolls worked perfectly, so that each group has a distinctive and memorable look with a unique colour palette. An exception are the Pop Trolls, which are distinguished by their colour.

Besides, it’s an absolute pleasure to blossom as Queen Barb. She oscillates brilliantly between malice and despair for recognition, and the scenes in which she talks to other rock roles are among the best. Bloom also rocks, pardon the pun, Rock You Like a Hurricane and Crazy Train, with his powerful viola.

The other troll leaders don’t have much screen time, but Kelly Clarkson as Delta Don, leader of the land trolls, steals several scenes depicting them as being born to die. Measured performances of King Quincy and Queen of the Funky Troll Essence by George Clinton and Mary J. Clinton. Come closer or make them look really wise and calm, especially compared to young Poppy.

In this world under lock and key, whether you want to entertain small children for an hour and a half or chat with your friends in the cinema, you can do something even worse than fight and watch trolls.what the love where are they now,vaibhav from what the love netflix,netflix comè